![]() ![]() You can drag the keyframes forward or backward in the timeline to adjust the speed of the fade.FCPX will automate keyframes to fade the audio at the start and end of the range. ![]() Using the mouse, grab the black bar running through the audio and drag it up or down to the desired audio level.FCPX has now drawn a yellow box around this “range.” Drag the mouse across the clip until you get to the spot where you would like the fade to end. With R held down, click in the spot on the audio where you would like the fade to start. Now, let’s use the Range Selection tool to pick a section of the audio to adjust.Navigate to the spot in your timeline where you would like to dip the audio level up or down.Although you can manually place your own audio keyframes in a timeline, FCPX also gives you the option to automate some of this process. Let’s dig in a bit further and examine how to bring audio up or down within a sound or dialogue track. ![]() In our FCPX Audio Tutorial Part 2 we explored improvements to fading audio in and out on the FCPX timeline.specifically at the start and end of audio clips. Automated Keyframes with the Range Selection Tool Final Cut Pro X also allows you to manually keyframe audio during playback in the timeline…great for doing quick sound mixes. Tap another clip in the timeline, tap again, then tap Paste Effects.Īll of the format, transform, or effect settings in the first clip are transferred to the second clip.In this third part of our series on working with audio in Final Cut Pro X, we’ll take a look at how the range selection tool automates the placement of keyframes in FCPX. Tap another clip in the timeline, tap again, then tap Paste Transform Settings.Įffect settings]: Tap at the top of the inspector, tap, then tap Copy Effects. Transform settings: Tap at the top of the inspector, tap, then tap Copy All Settings. Tap another clip in the timeline, tap again, then tap Paste Format Settings. Opacity settings: Tap at the top of the inspector, tap, then tap Copy All Settings. The keyframes appear as diamonds along the dotted line. If you don’t see the keyframes you want to copy, tap next to the setting name (above the dotted line), then tap the setting you previously keyframed. Tap Animate in the lower-left corner of the screen to open the keyframe editor (if it’s not already open). In the timeline, tap a clip that has keyframes, then drag the playhead over the clip. In Final Cut Pro for iPad, open a project. Note: When you copy and paste keyframes, all effects or transforms applied to the first clip are transferred to the second clip. You can also add keyframes to different effect settings in the same clip to create complex animations. You can add and modify as many keyframes as necessary to achieve a specific effect. When you play back the clip, Final Cut Pro interpolates the setting values between one keyframe and another, creating a smooth animated effect. If you don’t see the result you expect, make sure the Animation Style setting under Options is not set to None. Title settings: Tap at the top of the inspector, then adjust the relevant control under Options (All, Retime: In, Fade Duration: In, Retime: Out, or Fade Duration: Out). (For some objects, you can also drag onscreen controls in the viewer.) See Adjust background and object clips.
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